Given the progression I ⇨ VI7 ⇨ II7 ⇨ V7 ⇨ I, each of the chords VI7, II7 and V7 can be thought of as the “V” dominant chord of the next chord in the progression. I mean, how many songs with the same progression can you listen to, one after another? The tune "Lo Jo" by George Coleman uses a tritone … Each chord in the turnaround (bars 11–12) can be substituted with a dominant-seventh chord a tritone away (Example 6). The goal with tritone substitution is to replace this dominant chord with something that functions in a similar manner. The tune "Lo Jo" by George Coleman uses a tritone bridge. "Tritone Bridge" is a term used to describe using tritone substitutions throughout the bridge of a rhythm tune. Rhythm Changes Bridge (in the key of Bb) Jazz musicians frequently use substitutions to add more harmonic content and colour to a progression and this next example uses tritone substitution. Consider the first 8 bars of a 12-bar blues in the key of C: Notice that most of the chords above are dominant 7th chords. any 7th chord). Blues Chord Progressions Rhythm Changes Miscellaneous Tritone Substitution Four Ways to Create Tritone Substitution Over a Long ii V I ... "Tritone Bridge" is a term used to describe using tritone substitutions throughout the bridge of a rhythm tune. Tritone substitution in a 12 bar blues. The original turnaround, F7–D7–G7–C7, is now replaced with F7–A b 7–D b 7–G b 7. 2 Simple Ways to Find the Tritone Sub for any Key December-January 2014. A dominant chord wants to resolve to the I chord. Everyone wants to know about tritone substitution, so let's break it down and hear some examples! It works like this: if the root of the V chord is X, replace the chord with a 7th chord whose root is a tritone away from X. Including Rock, Blues, Funk, Country, Metal, Jazz, Classical and more! "Kollman demonstrates examples of Tritone Substitution in the Blues. Yesterday I gave some detailed examples of common places you can use a tritone substitution, including some tunes that use tritone substitution in different ways. So in the key of C, again the V chord is a G7. Thus, … Who said Blues music is "simple"? You can also apply tritone substitutions to various bars in the jazz blues progression, as you can see in the following examples: Bar 6: the Bb7 is replaced with a tritone ii-V (Bm7-E7). A Better Blues Rhythm via Tritone Substitution. You can also use the tritone sub for other chords in a progression. Tommaso Zillio. Blues Progressions And Tritone Substitutions. This device, known as a tritone substitution, works because two dominant-seventh chords a tritone apart share the same guide tones. Keep in mind that no scale is a cure-all for your […] Tritone Subs: In general, you can make what's called a "tritone substitution" on any dominant chord (i.e. Bars 7 and 8: here are four descending dominant 7th chords, with the E7 and Eb7 being used to connect F7 and D7b9 chromatically. From beginner to advanced. Tritone substitutions can be very helpful in an improvisational context as well. Beyond the old 12-bar "standard" Blues chord progression, many Blues and Jazz players have written Blues songs with incredibly complicated chord changes. Tritone Substitution Blues. Guitar Technique, Guest Columnists. Aren’t you tired of playing always the same old 12-bar Blues chord progression? Over the first four bars of the progression I have applied a great jazz blues chord substitutions called tritone or b5 substitution … Written by Tommaso Zillio. So instead of G7 –> C, it will be “tritone sub” –> C . 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